GOOD MORNING FROM YOUR MIRRORED CORPSE THE THREADS ARE STILL BETWEEN US BUT THAT’S ALWAYS BEEN THE PROBLEM HASN’T IT HOURS AND SONGS UNBECOMING OF THINGS SO DETERMINED TO BE NOTHING THAT WE’VE MANAGED IT BUT THIS IS THE BETWEEN WE’VE CHOSEN AND THE DIALECT IS KILLING EVERYTHING AND SO I’VE GOT DEFIANCE AND A LITTLE SPIT AND LOOK SOMEONE’S GOT TO START THE WAR IN HEAVEN SO YOU CAN TAKE THE FACE YOU’VE MADE FOR YOURSELF JUST LIKE I’VE MADE THE REST OF WHAT’S LEFT OF ME SO IN THAT VEIN AGAIN AND AGAIN IT’S ANOTHER EDEN IT’S JUST THE WAY YOU HEAR THE CATCH IN A VOICE I’LL NEVER ADMIT TO ON THIS SIDE OF OUR LAST JUDGEMENT AND SO IT’S BEEN AND IF IT’S BLASPHEMOUS IT’S BECAUSE IT’S THE CLOSEST THING TO KINDNESS THAT WE’LL KNOW AND WE’VE MADE IT OURS WE’VE LEARNED THINGS IN THE REPETITION THAT I WON’T SPEAK BECAUSE I REFUSE TO BRING THE SKY DOWN BEFORE IT KNOWS EXACTLY WHAT IT’S DONE AND EVEN THIS SINGS TOO CLOSE BECAUSE THAT’S THE WHOLE OF IT EVERY FUCKING WORD CUT FROM THE KNOWING THAT MADE THIS VICIOUS AND HOLY AND STILL AS THE PAUSE BEFORE CREATION WHEN EVERYTHING WAS ALL RIGHT FOR A MOMENT AND I’D COUNT HEARTBEATS BUT IT’S FAR TOO LATE FOR THAT LITTLE AFTERMATH WHEN WE’RE LONG SINCE AND FURIOUS WE’RE DEARLY INCISED AND MORE THAN A LITTLE PERFECT BUT WE KNOW ALL THIS WE KNOW ALL OF IT I HOPE THIS FINDS YOU WELL
Shuddered closer never better never as wanted as when I say no when I cut and coil and rescind the here I am that caught up the world I’m half again as when I was when I was more and when the words sing out when they remind me that I’ve never spoken not before the throat rebels when heaven comes and I dissolve into the sudden stop the line the white the wondrous that I won’t know I’ve known too much to leave the sunset well enough alone my tongue slit on the same axis it aways was a way to fold the keter into that same void a fount and a way out I’ve promised this in everything I’ve done a single note held until the air slips past itself the echo and oh echo there’s no voice for us and if I pause it’s only for the catalyst the way I’ll burn for anything but breathing anything but all of it and I’ve been caught by the way I still know all those incendiary sounds I make when there’s something like a surface when there’s something that’s still like touch inertia slowly shedding all her loss and there’s a passage mapped along a once and after slow and sick the junkie’s heart I never punctured I’ve got the scatter and the over underspun pupils thinning to a single drop bitter bleeding always wanted but the knowing means the vein will water what the river won’t I know this game I said I know this game by heart.
A thread to circle where the sounds end and where I hear them, in the evening, in the rainfall, in an almost that comes after there’s no hope for it. Every word of this is an unkindness and you know and you still speak them. And I know and I still hear them. I hear every one of them because they were mine and the thread wasn’t ever for us, wasn’t the one and one we thought it was, not when even that death was insufficient. I wasn’t enough to make the lack worth it, to match the way this sainthood means dying in the shape of something I can’t be while I’m still living, the resurrection complicating my sudden understanding that divinity reduces us, our hands as empty as we can make them without giving up the prayer that keeps the way out from us. I hear so much and it won’t change any of this. The heartbeat wasn’t mine but I still knew it. Another paralyzed thing, caught like I’ve always been, forever on the almost, eyes too much, pinioned in the just-before that means you made it, that you can tell the story that means she didn’t, all that poetry only good for a bodycount you can’t claim without the moment piercing through and into this, ruining all of it, and here I’ve got the trigger and no one left to punish, penance arcing backwards into judgement. I’ve got the night that bleeds into the now of it. I’ve got nothing else.
The ache performs exactly as it should, it intertwines, it sighs, it finds me in full bloom and with the pause I know the way to enter in. I watch my hands unwind the things I’ve been, harmonies I’ll never know but remember because my throat still shutters around the shapes of them, outlines of silver, outlines of songs. I am my own horizon, now. The voice that sings the dark it longs for, tongue still pressed against the loss. Opposition as the softest touch. I keep my eyes below and when I see it’s only ever after, the shift and glow, a reminder of the curve, the arc that heaven would have wanted but I’ve kept too close. There’s no mark to match what’s carved. I hear it. I hear what soars between the motion and too much. There’s more in this than I can give and that’s the only gift that counts. When I slow and wonder at the cost. There’s adoration in this, there’s wonder and I try to find the space for seven when I won’t count past what’s been done. I can speak the accusations better now that I’ve got a new mouth. When I’m heard I find new passages to cut, the prayer always a breath behind the last one, the way I’ve begged but never asked, not once. There’s no other in this, not because there isn’t but because I speak and it’s enough, because every word was made to find the source, to find the shape of everything that splits in me as I watch and I won’t speak because there’s no difference, there’s nothing and I hear it, I hear the stillness and the stars that would have answered if I’d waited but these are my hours, and I won’t.
Confession moves in us, disastrous, slipping in between the sacraments, the way blood would if it were meant for us, if all our longing counted for more than filler in another ave consequence, the once and always we’ll call now as anything else is long since and yet we’ll say, and yet, the turn of words around a sound we couldn’t make if we weren’t heavensent and yet we’ll say, the balance caught along some new salvation that didn’t know us and we know too much to ask for less, we know the coming judgement because we’re the first and the last and then one more second, one more second and our mouths open for the difference, empty things at first glance, a little nothingness to make the presence count for something, for an incorruptible loss, a sainthood for the after that remembered us and we know where the body ends and where it doesn’t, flesh and less than what we took to say that this was ours, as if the answer was in waking and not the opposite, a wordless altar to what’s left, what’s unsent, what’s still, what descends when there’s too much of the sky that reaches up to meet us and we were never going to fall until we did, all for the light of a sun that wouldn’t recognize us, the cusp as unrelenting as the curve it left and now we spill because we’re reverent, we’re unheard and holy.
HAVE YOU FINALLY BEGUN TO BURN WILL YOU IGNITE INTO THE AIR WILL YOU KNOW THIS WILL YOU FIND THE CONFLAGRATION YOU WERE PROMISED THE SPARK THE SUN THE SWORD YOU ANSWER AND THERE’S NO NEED TO TOUCH WHEN IMMOLATION GIVES WHAT PRAYER WON’T HERE IS PERFECTION CAUGHT AGAINST THE HORIZON HERE IS THE MOMENT THE INCANDESCENCE HERE IS THE SONG YOU SAVED FOR THE FINAL JUDGEMENT THE ASCENT INTO LIGHT THAT LEAVES THE WORLD FOR ASH AND ALL THE CURVES YOU KNEW FROM AZIMUTH TO HOLINESS TO THE DEAR AND THE TRIUMPHANT TO FIND YOU CAUGHT ASSUMED INTO A HEAVEN THAT CAN ONLY REGRET THE FIAT LUX NOW YOU ALIGHT AND INTERCEDE FOR US FOR OXYGEN FOR THE NOW THAT KEEPS A THOUSAND THOUSAND HEARTS THE SMOKE OF ALL YOUR WANT THE BEAUTY THAT YOU’LL HAVE DIED FOR IF THIS FINDS YOU IN THE HOUR OF YOUR GLORY CROWNED AND WONDROUS ANOTHER EMBER BEFORE THE THRONE THE STARS ASHAMED THE LESSER LIGHTS THAT CAN’T QUITE FALL HAVE YOU FOUND THE BRIGHTEST ONES THEY’LL KNOW YOUR BREATH YOUR SIGHS YOUR ALMOSTS THEY HAVE TRANSFIGURATION UNDER THEIR TONGUES THEY’LL SPILL YOUR PHOSPHENES FOR THE FAITHFUL FOR ALL THE DREAMLESS THINGS YOU’VE KNOWN EACH WORD OF THIS WILL CONDEMN YOU AND THEY WANT NOTHING EXCEPT THE WAY YOU’LL SMEAR ACROSS THEIR MOUTHS YOUR EXIT A REBUKE AGAINST THE SIXTH DAY THAT SHOULD HAVE NEVER COME AND IN THIS INSTANT YOU’LL HAVE A GLIMPSE OF PARADISE BEFORE YOU SEE WHAT’S ASKED OF YOU AND YOU’LL BURN JUST LIKE YOU WERE MEANT TO TELL ME HAVE YOU FINALLY BEGUN THE LIGHT FROM THIS WILL FIND THE FIRST AND CAUTERIZE THE DEATH THAT CAME IN WITH US DO YOU HEAR THIS TELL ME ALL OF IT THE IMPACT AND THE WAY YOU’LL TEAR INTO THE FIRMAMENT A SHINING ARC TO THREAD HELL CLOSED YOU’LL DRAW FORTH THE SPACE BETWEEN WHAT WAS AND THE RIGHTEOUSNESS YOU’VE TAKEN AS YOUR OWN THE COUNTENANCE THEY CANNOT WITNESS THE PYRE AND THE RAPTURE WILL YOU KNOW THIS WILL YOU HEAR US HAVE YOU FINALLY BEGUN TO BURN YOU’RE CLOSE YOU’RE CLOSE YOU’RE CLOSE
Anything I’ve been is this: my aspects answering with the hours that I’ve kept, with the way my mouth shapes the familiar as if I’ve never touched it and I haven’t, the light emptying itself out to fill the space between what’s voice and what’s affect. The rush I won’t remember burns down into the liminal, my pupils reaching for their inner surface. The comedown is everything. It’s the stop implied by motion, by what I’ve held close, as delicate as my bones have been, those thin things, fragile enough to stay unbroken in the after that’s more dear than now, a second-hand to mark when the first is long since gone. There’s salt here like faith was, air that pauses at the corners of my lungs. In this, anything I’ve been becomes a means of translating the blood back into itself, salvation without the junksickness. What’s taken and what’s given stop listening, equivalence hanging itself just to find the difference and I’ve been singing for the silver and the tidal things that sank further than I did when I was present, when there was room for the sound and the promise but not the air, never that. Any sharper and I’d mean it. I’ve got conflagration and five minutes. Meaning pretends like I do, the coil and the press that says this is wonder and not a way out, an exit on the tongue I’ve slit to speak like I was made to because the inhale isn’t coming and the pause is another gift that I’m not giving and if it’s implied it’s a fall just like the first one but I could have meant it, my accidentals only underscored by my intent because the means of this meaningless. I’ve got just enough to choke to death, just enough to say that and keep this cordial, my hagiography edited for a holier audience. Thirteen seconds into collapse and I’m white-lined and furious, I’m the same thing I’ve been or less, I’m a boys’ choir without the excuses, years deeper than strictly necessary because the cross perfects and I demand, I want and heaven inflicts the language that I have until my spit tastes like violence, until I begin again.
It cuts close because the agony isn’t measured in the passage but the permanence. It’s holy because it’s always and because it’s always I’ve lost. Another flower, she says again, and I echo until I echo, until I sing in oil and in blood. It’s a prayer and it’s the weight of this, the press and the cyclic and take this, all of you, over and over until these lightless hours spill into everything I touch, singing all of this beneath the voiceless, she and I and nothing else. I have just enough divinity to demand the whole of it, the shudder and the impact that comes before the judgement and if I ascend it’s because I’ve found the sounds that answer us, that cry out for something unrecognizable and sacred, something as beautiful as I was, once, the blood between us wondrous and unknown, our bones humming with all the absence that was kept for us.
The Garden burns and I won’t speak, I won’t.
The reflection keeps me faceless and it’s a gift, familiar in the way that never gives up the momentary, that keeps this still, a demand for suffocation in every aspect and so I stop breathing before you read this, just like the always that’s been beneath us, as if the motion was going sing salvation, some redemptive act in the distance that’s been with me like everything else is, eventually, something cyclic for the way you hear and the way you listen when there’s blood enough to make this worth it, the postage paid in dead letters, still, our means to an ending, to an exit, some slow death for what we’ve witnessed, softer than the words make space for, the one and one that make the pattern easier to address than what’s said with it because you see just long enough to look away again, to burn the aspects into scripture because what follows is sacred and so what started this must be perfect, some edenic promise that’s more unrecognizable than where I’m going and I ask you if I spoke because I can’t hear myself until you play it back the way I meant it, the echo that I’ve been waiting for through all of this and it’s been years and if there’s absence it’s only fair to all the emptiness, the balance that’s cost us, that we’ve paid for with the way we mean for this to hurt us, every second past eleven a reminder that the day and the hour is ours like nothing else is, like it was, world without end, we said, except.
I’m starting on the final draw, abandoning the present tense for something closer, something vicious, something that matches what’s been beneath this since the last time this was ending, when I stopped. I haven’t forgotten. The withdrawal is conditional just like breathing was. I have the pattern but not the rhythm of it, so the words become a gesture towards a judgement that’s lost all meaning outside these contexts, sacred scripture in ellipses, in ritual that’s indistinguishable from bleeding out. This will be as pious as it needs to be, I promise. I haven’t spoken but I’ve sung, and the difference is immaterial but for the cost, the sounds I’ve made as unforgiving as the quiet that’s been with me, that answers before anything else. There’s no introduction left to make because I’m gone. An assumption into heaven that didn’t get me very far. I crushed the serpent beneath my heel for the comfort, a little adversarial back-and-forth, one that’s let you come as close as you have and still not realize how much. The risk inherent in all of it, in having to hear that you didn’t mean it, folds itself into the dialect, in how gracious I can be when I need to live through this. I’ve been gentle because the alternative isn’t. You’ll never have to beg for courtesy, you’ll never have to give it. I have the threat until I make it. It’s power that exists like I do, a hypothetical that’s worshipped, that’s almost, that isn’t. This is fragile and wondrous and if there’s death here it’s because we offered it, a sacrifice with bloody mouths, with all our hours, with the shuddering that was always with us. The language here is not enough and even still I’m speaking it, the words destroying our strange armistice, each one an act of war that goes unwitnessed. This has always been what I’ve demanded, the distance just beneath the surface, my salvation understated. I’m going to keep this close. I have horizons, now. I want you to know. I want you look but not touch.
This is the last of the oxygen we’d recognize if we could pass for living things for once. There’s asphalt and there’s not much else. The road holds close to the memories we had before we abandoned all of this for something worth it, for the backseat and the white and the way we’d stay heartless because we never were more perfect than when we’d had too much, when we went translucent, our lady of want. Prayer thins us. Our veins are brighter, now, iron moving at the speed of skin. Something holy grows out of our mouth and into a sky that fits itself around us, that finds our edges and the streetlights and the promise that there’s still a rush in us, the spark that I had and you lost. I know what’s mine. I know what makes this ferocious, all the heresies I’ve sung out of the spit and the salt that were left to me in the half-past that could have made it in the after, in the almost, in the wreckage that let me pass for a living thing or close enough, in the singular, in holiness.